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Tortilla Flat, by John Steinbeck
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Author, John Steinbeck and Publisher, Penguin
- Sales Rank: #3527029 in Books
- Published on: 1977-06
- Binding: Paperback
Most helpful customer reviews
1 of 1 people found the following review helpful.
Old recipe, ethnic infusion.
By W.U.
If there was ever a writer that understood how people's fates were inextricably tied to their land, it was Steinbeck. The familiar setting of Monterrey county introduces us to a new cast of characters, pulled together by the gravity of their birthplace. Early on, one gets that feeling that the misadventures in which Danny and his friends partake, could take place in Tortilla Flat, and nowhere else.
Like Mallory’s story of King Arthur and the knights of the round table, Tortilla Flat has its heroes, quests, damsels, and holy grail. That is the original recipe. Add beans, paisanos, “lively” women, and a whole lot of wine. Simmer and reduce. The result is a rich, yet simple and savory tale; literary comfort food for those who have visited this land before through Steinbeck’s prose. Those that long for it.
Who knew that this one valley in California would be the well to spring forth the tragic drama of the ‘Grapes of Wrath’, the biblical struggle of ‘East of Eden’, the love and friendship of ‘Cannery Row’, the Arthurian romance of ‘Tortilla’ and…well, the man himself.
And no, I am not putting the ‘cart before the horse’. These tales, these elemental forces were there long before Steinbeck allowed his artistic sensibilities to be threaded by them. And will continue to roam this land, perhaps in different finery, but eternal all the same.
4 of 4 people found the following review helpful.
Hail Knights of the Woeful Countenance
By Phred
If as others have suggested John Steinbeck's Tortilla Flats is built around the Arthurian legends these are not latter-day noble Knights of the Round Table recast as down and out, hard luck, lower-class Californians. Rather these are the men who would have shared a tankard or three with likes of Don Quixote's Sancho Panza or Shakespeare's Falstaff.
The story cycle in Tortilla Flats centers around a mostly hapless, selfish, drunken, thieving, and occasionally noble group of paisano's in the unpaved and occasionally patrolled outer reaches of Monterrey, California in the years after World War I. For those looking to charge racial stereotypes; the central characters include Danny, Pilon, Jesus Marie, Big Joe Portagee and the Pirate. No one is clearly identified with any one racial type and we are told these are a mix of Native Americans, Hispanics, Italians, Anglos and combinations thereof. Mostly what our main characters have in common is an over fondness for wine and a disinterest in work or anything that looks like achieving the American dream. The novel itself is early Steinbeck and may be considered as something of an experiment in storytelling that he will perfect in Cannery Row and Sweet Thursday.
In choosing to tell us the stories of this barely lovable group of schemers and drinkers, Steinbeck is working an aspect common in many cultures from the misdeeds of the Hopi Mud Head Kachinas to the antics of the Three Stooges. We can identify with this ignoble band of Brothers in part because they allow us to be naughty at one remove and because we can identify with people who are hapless without being evil.
Tortilla Flats is not so much a novel as a cycle of short stories built around the misadventures, sacred superstitions, and wine based brotherhood of its central characters. Around the core characters we have a variety of equally comedic bumbler's including: women of flexible virtue, barter-based wine bootleggers and at least one jailer who qualifies for the job by being its most frequent prisoners - until her forgets he is the jailor and leads an escape. None of these people or events is meant to be taken seriously. Steinbeck has invited us to savor complex schemes as designed by simple folk whose only real loyalty is to each other and when pressed their immediate community.
My initial reaction to Steinbeck's Tortilla Flats was negative. Initially I did not like any of the paisanos. Once I realized this was all intended as humor and that it was part of a larger literary tradition I came to enjoy the efforts of these characters to provide for each other without surrendering to their own weaknesses. My change of heart could not have happened except for the simple yet skillful use of language that ultimately seduced me and made me into being a fan of this book.
0 of 0 people found the following review helpful.
“Two gallons is a great deal of wine
By zth
“Two gallons is a great deal of wine, even for two paisanos. Spiritually the jugs maybe graduated thus: Just below the shoulder of the first bottle, serious and concentrated conversation. Two inches farther down, sweetly sad memory. Three inches more, thoughts of old and satisfactory loves. An inch, thoughts of bitter loves. Bottom of the first jug, general and undirected sadness. Shoulder of the second jug, black, unholy despondency. Two fingers down, a song of death or longing. A thumb, every other song each one knows. The graduations stop here, for the trail splits and there is no certainty. From this point anything can happen.”
― John Steinbeck, Tortilla Flat
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